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Since writing about Bang, Ai Weiwei’s enormous installation at the 2013 Venice Biennale constructed entirely out of traditional three-legged stools, I discovered that he had produced several smaller sculptures using the same piece of furniture as the basic repeating unit.

 

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I’m not sure why Ai Weiwei is so fascinated by these stools but one can’t help admiring the skill of the designers and woodworkers who brought these sculptures into existence.

 

I’ve no ambition to make these stools into sculpture, but after completing a single scaled down stool (see earlier post)I thought I’d make a larger version to use in the workshop. Here it is. The seat height is 22 inches and the legs are splayed at 8º from the vertical, which makes the proportions taller and narrower than the original. The legs and stretchers are Douglas fir and the top is English Cherry. It’s finished with a couple of coats of Danish oil.

 

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A couple of years ago I saw Ai Weiwei’s installation “Bang” at the Venice biennale and I’ve been meaning to post some photographs of it ever since. It was shown in the French pavillion at the Giardini della Biennale.

 
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Nearly 900 traditional Chinese three-legged wooden stools had been ingeniously joined together to make a huge three dimensional lattice work of wood.
 

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A closer look to give a sense of how it was put together.
 

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And here’s a more detailed view of the joinery of these stools.
 

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What is it about and what does it mean? Well, the most compelling interpretation I’ve heard came from a friend who said that it looked as if these traditional domestic objects had been picked up by a great wind. She saw the installation as a visual parallel of the way economic development in rural China was sweeping aside old ways of life.

If you think that’s too straightforward, here are some comments from the art critics:

‘The single stool as part of an encompassing sculptural structure may be read as a metaphor for the individual and its relation to an overarching and excessive system in a postmodern world developing at lightning speed’.

‘Weiwei’s “Bang” criticizes modern throw-away culture, which has replaced artisans and craftsman with industry and factories. Hand carved wood has been replaced by disposable plastic and aluminum. Weiwei arranged the handmade stools in chaotic bursts and arcs as a metaphor for the industrial world that has spiraled out of control as industry and technology develop at incredible rates.’

‘Ai Weiwei’s work ‘bang’ employs 886-three legged wooden stools made by traditional craftsmen whose expertise is now something that is rare to find, and has installed an expansive rhizomatic structure which speaks of the increasing volumes of organisms in our world’s megacities. The single stool can be interpreted as a metaphor for the individual, and its relation to an overarching and excessive system in a postmodern world which is developing faster than it can keep up with.’

 

Still, whatever you think of the installation as art, the stools themselves are rather attractive. I especially like the three way stretcher, which can’t be that easy to construct. Perhaps I’ll try making one for the workshop.

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