A couple of posts ago, I wrote about making a pair of tailpieces for two violinists who wanted to change the way their instruments were set up. The violinists, Pamela Rosenfeld and Liz Gregg, are members of the recently formed Tartini Trio who specialise in music of the baroque period. Naturally, they’re keen to produce an authentic baroque sound and, having already switched to gut strings and baroque bows, wanted to take things a stage further by fitting baroque bridges and tailpieces. Over the Easter holiday, Pamela and Liz visited me and let me hear the sound they were making. Very generously, and without rehearsal, they let me record them as a duet playing the Bourée from Handel’s Water Music. The primitive recording (made in my workshop with nothing more than an Edirol digital recorder propped up on the work bench) doesn’t do them justice – but even so, it sounds pretty good.
Archives
- January 2018
- August 2017
- May 2017
- February 2017
- June 2016
- April 2016
- November 2015
- October 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- April 2014
- November 2013
- September 2013
- March 2013
- December 2012
- November 2012
- August 2012
- June 2012
- May 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- September 2010
- August 2010
- July 2010
- May 2010
- April 2010
- March 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008