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I’ve made a start on the varnishing, aiming at a warm honey colour for the finished instrument and trying to bring out the figure of the maple to its best advantage. At this time of year in England, there isn’t much sunlight and unless you have access to a drying cabinet, which I don’t, it’s necessary to leave a long time between coats. Still, it seems to be going fairly well, even if fairly slowly. The photographs below were taken outside on a rare sunny day. (Click on a thumbnail for a more detailed view.)

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One Comment

  1. Another amazing instrument Christopher. I never tire of seeing what you are up to.

    Best wishes,
    Konrad


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