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The ribs were thicknessed to 1.8 mm first and then coaxed into their curves using a bending iron. Because this is a baroque cello, when the neck is fitted, it won’t be mortised into the top block but simply glued and nailed into position. So, to add strength and minimise the risk of the top block splitting when the nails are driven in, I used a continuous piece for the ribs of both upper bouts to avoid having a join at the top.

Here are a couple of photographs of the ribs being glued into position around the mould.

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