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Even if a guitar maker works away at a fairly steady rate, there are times when progress will be slow and times when the instrument makes a quantum leap. Cutting the soundhole in the top after inlaying the rosette always seems to me to be a quantum leap moment. Another, as I’ve mentioned before, is when you start to assemble the collection of oddly shaped pieces of wood into something that is recognizably a guitar. I’m looking forward to that moment later today. For now, it’s still a pile of oddly shaped pieces of wood:


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